Popular Literature, Authorship and the Occult in Late by Andrew McCann

Off Literary Victorian Criticism

By Andrew McCann

With the expanding commercialization of publishing on the finish of the 19th century, the polarization of significant literature and renowned fiction grew to become a normal of literary feedback. Andrew McCann cautions in contrast competition by means of arguing that well known fiction's engagement with heterodox conceptions of authorship and creativity complicates its prestige as mere distraction or leisure. well known writers reminiscent of George Du Maurier, Marie Corelli, Rosa Praed and Arthur Machen drew upon a latest fascination with occult practices to build texts that had an intensely ambiguous dating to the proprietary notions of authorship that have been so primary to advertisement publishing. via trance-induced or automated writing, dream states, twin character and the retrieval of prior lives channeled via mediums, they imagined varieties of authorship that reinvested renowned texts with claims to aesthetic and political worth that reduce opposed to the homogenizing pressures of an rising tradition industry.

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